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Design and design education on women

Paper Keywords: gender education design design education feminist consciousness of women Abstract: Art there are gender differences in the design, the paper design thinking of women designers, design acts of attention, emphasizing the design perspective and the diversity of evaluation criteria to help establish a more robust design aesthetic and educational system. Design education should be fully taken into account the needs of this group of women and design of the expression of ideas, attention to gender differences, according to the principle of individualized teaching, helping to train women to adapt to the special needs of professional designers. First, the design is Art has always been gender gender differences. Art and Design is also a gender difference. In China, the ancient ritual vessels from the Ming Dynasty furniture,[link widoczny dla zalogowanych], are consciously or unconsciously, reflects the strong gender differences. Although no one who crafts a brilliant label affixed sex, but some critics still a marked gender history of color. In ancient Greece, relaxing and full of sensual charm of the young men and women living period. Similarly, the Italian 15th century art has often been praised as a girl as pure, like Botticelli's young women can, and then equate the human spirit of Florence; the 16th century Venice were conceived as an attractive situation in a mature age, a reclining by Titian's Venus of the brief but the times shown. , grand scrolled decoration, showing an enthusiasm and unrestrained passion, focus and reflect the curves of Rococo art features, exquisite rolling the former has a masculine, the latter very feminine. In architecture, such as the ancient Greek Parthenon, the ancient Greek Doric representatives, stigma is just very, simple inverted cone units, the pillar into the sharp edges intersect the groove, there is no column basis, with the men's masculine beauty. To the neo-classical, the pursuit of building in the construction of a simple shape, independence and integrity, details simple, form consistent with the structural logic, and reduce the purely decorative elements, shows the reason people are yearning for. The reason is often used to describe men. In contrast, rich and gaudy rococo decoration Sanssouci is a manifestation of a femininity. Modern times, there was Mr. Wang Shouzhi as a female style of the new art movement, the movement advocating the beauty of nature, the pursuit of elegant curves, reflecting the women and the characteristics of natural affinity. Second, women Design and female designers 1. Female author female design design divided into two categories: the design specifically for women and feminine design. Specifically designed for the needs of women of goods is an important part of women in the design, the design of these items, making all the women's needs as the starting point, in form, function or decoration has a strong female characteristics, and strongly to people can immediately recognize. As early as the Han Dynasty lacquer works, there are many women-only devices, such as double-nine children unearthed in Changsha paint Lian, Lian Sheng toiletries is, from the practical, considering the ease of use, place the volume and pattern of diversification unified, fully embodies the characteristics of women's cosmetics. In modern society, household items designed for women involved in a wide range, covering clothing, food, housing, all aspects, such as clothing, communications tools, electrical,[link widoczny dla zalogowanych], construction,[link widoczny dla zalogowanych], automotive and so on. In the design of some products, has formed a gender-specific product design requirements made the design of different systems, in color, function, style with more consideration of the President's request, such as Some men have for the mainstream consumer products, consumers are now gradually being female penetration, such as the automotive market, there has been to meet the needs of women, business philosophy: women with a car in the development of new, specially constituted the nine women participated in the development team. Feminine design can also be referred to as female design. Mentioned earlier the general characteristics of the Rococo style of light, gorgeous, exquisite, delicate, with extensive use of female means of the garlands, bouquets and shell patterns, bright colors, soft, light but luxurious rich and beautiful, filled with women's warmth. However,[link widoczny dla zalogowanych], this very feminine women design, from the male point of view but was referred to as 2. Female designers point of view from the perspective of women designers, women designers pay more attention to women's unique feelings, needs reflected. Teaching the formation of The pursuit of perfection is reflected within the designer of women is society, People generally believe that the design characteristics of women designers is more humane and more naturalness. Industrial technology to produce high-efficiency products, but also to structured products, machinery and strong, lost directly involved in the production designers, product designers can not show emotion, more and more of the cold. Modern design of the , soft lines, wave lines. Reflect the considerable soft, natural, human female design features. Third, education should focus on gender differences in the design of teaching Simone Debord Fu Wa (SimonedeBeauvoir) said: as: the design of femininity can be developed, you can deny, that can be changed. With the change in social attitudes , consumer products, to enhance awareness of emotional needs, with the women engaged in expanding the scope of the design, the design must take into consideration the needs of this group of women and design of the expression of ideas, and in the design teaching, our education system which has been in the 1. Does not meet the social needs of different social needs of the market level, there will be different products, but also will require different, specific producers, designers. Our education system, not for the culture to adapt to the special needs of female full-time female designers. 2. Do not meet the To Mr. Pan Lusheng still follow a rational, objective, and men to reflect the natural way of thinking. This is emotional for most of the girls to experience the natural object, this type of teaching requirements is always difficult to do, in many cases, they are usually Until the American theorist Rudolf Arnheim in . Therefore, the emergence of the The same proposition in a series of works of male and female students,[link widoczny dla zalogowanych], even without any labeling, most people can easily distinguish which one is a girl painting with an demonstrated clear lines and geometric shape, focusing on the comparison of black and white ash component. The girls are biased in favor of soft curves, a small pattern of filling, the texture or fine cute graphics, they are addicted, this way, some of them show a lot of fantasy. (Figure 4,5) these fantasies, the details of the critical, from the traditional aesthetic standards However, if the evaluation from the emotional point of view, then, their paintings, and more reflects the heart, more emotion, learning from the design point of view, the design details of this critical way of thinking, it is very desirable, which will help create a delicate, it is worth scrutiny work.
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